For Mogwai’s Stuart Braithwaite, a phone call from Robert Smith of The Cure wasn’t just a request – it was an honor. Smith personally curated this year’s Teenage Cancer Trust shows at the Royal Albert Hall, and extended an invitation that resonated deeply with the post-rock pioneer.
The week-long event, running from March 23rd to 29th, boasts a remarkable lineup including Wolf Alice, My Bloody Valentine, Elbow, and Garbage, all united by a single, powerful cause: raising vital funds for young people facing cancer. Mogwai will take the stage on March 25th, marking their second performance at the iconic venue since 2006.
Braithwaite remembers Smith being present at their 2006 Royal Albert Hall show, adding another layer of significance to this invitation. He speaks with genuine admiration for the artist who soundtracked his youth, emphasizing the importance of supporting the charity’s crucial work.
Playing the Royal Albert Hall is always a privilege, Braithwaite explains, a landmark moment for any musician. This year, it’s amplified by the opportunity to share the stage with such a diverse and talented group of artists, a testament to Smith’s discerning taste.
Next year will also mark a significant milestone for Mogwai – the 30th anniversary of their critically acclaimed debut album, *Mogwai Young Team*. Braithwaite reflects on the band’s longevity with a sense of gratitude and disbelief.
He recalls the band’s humble beginnings, formed when they were teenagers, a time when life felt immediate and the future seemed distant. Each anniversary serves as a humbling reminder of their enduring connection with their audience.
The music landscape has dramatically shifted since Mogwai first emerged. Braithwaite acknowledges the challenges facing new artists in the modern era, a world saturated with music yet increasingly difficult to navigate.
While the internet has democratized music creation, it’s also created a deafening noise. Breaking through requires not only talent but also a savvy understanding of algorithms and online visibility, a far cry from the days of relying on fanzines and word-of-mouth.
The closure of grassroots music venues across the UK – 30 in the past year alone – is a stark reminder of the vital role these spaces play in nurturing emerging talent. Mogwai, like many successful artists, honed their craft in venues like Glasgow’s legendary Barrowland.
Braithwaite points out that even iconic bands like The Cure started small, building their following in intimate settings. These venues are essential stepping stones, providing the platform for future headliners to develop their sound and connect with audiences.
The opportunity to perform alongside such esteemed artists, all while supporting a vital cause, underscores the power of music to make a difference. It’s a legacy Mogwai is proud to be a part of, a testament to three decades of unwavering dedication to their craft.
