A promising political comedy, starring rising talent Emma Mackey and veteran Jamie Lee Curtis, has unexpectedly stumbled. Despite a cast brimming with acclaimed actors, “Ella McCay” is facing a harsh reality after a disappointing theatrical run.
The film follows Ella, a young woman thrust into the role of governor, navigating a treacherous landscape of family drama and political scandal. Her world unravels as secrets of her past – and the machinations of those closest to her – threaten to derail her career.
Directed by James L. Brooks, a celebrated filmmaker known for classics like “Terms of Endearment” and his work on “The Simpsons,” “Ella McCay” marked his return to directing after a fifteen-year hiatus. Sadly, the comeback hasn’t resonated with audiences or critics.
The initial box office numbers were startlingly low, with the film earning a mere $2.1 million against a $35 million budget during its opening weekend. This placed it among the worst openings in recent memory, a stark contrast to the star power involved.
The second week proved even more challenging, experiencing a dramatic 75% drop in ticket sales. This decline cemented its position as one of the lowest-performing second weeks in box office history, raising serious questions about its future.
Critical reception has been overwhelmingly negative. One prominent critic described the film as a “woolly, self-congratulatory fossil,” while another labeled it an “odd, messy shambles.” The film currently holds a dismal 24% rating on Rotten Tomatoes.
However, audience scores offer a glimmer of hope, currently sitting at 54%. Some viewers find the film “quirky and earnest,” suggesting a potential for a second life when it becomes available for streaming.
This role represents a significant step for Emma Mackey, who previously captivated audiences in “Sex Education” and garnered recognition with a BAFTA Rising Star Award. “Ella McCay” was poised to be her breakout lead performance in a feature film.
Despite the impressive ensemble – including Woody Harrelson, Kumail Nanjiani, and Ayo Edebiri – “Ella McCay” appears unlikely to secure a prolonged run in theaters. The film’s fate now rests on whether it can find a receptive audience beyond the big screen.