Thirty-five years after captivating audiences worldwide, the fairytale of Vivian and Edward might be getting a second chapter. Whispers are growing louder, fueled by reports that Julia Roberts and Richard Gere are actively discussing a return to their iconic roles in aPretty Womansequel.
The original, a cinematic phenomenon released in 1990, soared to a staggering $463.4 million at the global box office. It told the improbable love story of a Hollywood escort and a powerful businessman, a narrative that resonated deeply with audiences despite the vast chasm between their worlds.
The possibility of a reunion was initially sparked by remarkably realistic AI-generated posters circulating online, hinting at “a second chance.” While those images proved to be the work of an enthusiastic fan, they ignited a renewed desire for more of Vivian and Edward’s story.
Now, sources suggest Disney is working on an early script, and both Roberts and Gere are seriously considering reprising their roles. This development arrives despite past reservations from both stars about the film’s enduring legacy and its potential for modern interpretation.
Roberts herself once admitted that recreatingPretty Womantoday would be a challenge, acknowledging the aspects of the story that wouldn’t withstand contemporary scrutiny. She’s always maintained the film was a product of fortunate timing and circumstance.
Gere’s feelings have been even more complex. He famously labeled the film his “least favorite thing,” confessing to having largely forgotten the experience. He’s expressed discomfort with the power dynamics depicted and how they might be perceived today.
Yet, even Gere couldn’t deny the film’s enduring appeal when shown a clip of the famous piano scene years later, acknowledging its undeniable sensuality. He also playfully admitted to lacking chemistry with Roberts at the time, and felt his character was underdeveloped.
Interestingly, Gere wasn’t the first choice for Edward Lewis. The role was initially considered for acting legends like Sean Connery, Al Pacino, and Burt Reynolds, all of whom ultimately passed on the opportunity. Pacino felt miscast, while Reynolds later called his refusal a mistake.
Roberts has even offered a glimpse into her vision for a potential sequel, imagining Edward’s peaceful passing and Vivian taking the reins of his business. This intriguing idea hints at a story of empowerment and continuing legacy.
The path to aPretty Womansequel is still unfolding, but the prospect of seeing Roberts and Gere revisit these beloved characters has ignited a wave of excitement and anticipation. It’s a story that, despite its complexities, continues to capture the imagination.
