Colin Farrell delivers a performance of raw energy and captivating talent in his latest film, a descent into a world of high stakes and personal implosion. The experience of bringing the character to life, according to those on set, was nothing short of consuming.
“He was here for so much of the film,” the director recalls with a laugh, “and his wife said by the end of every day, he was utterly exhausted. It was all so frenetic.” Farrell himself describes the film as “chaotic from the first frame,” a deliberate reflection of the character’s internal unraveling.
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The shoot was an “intense experience,” a conscious departure for the director, who typically favors a minimalist approach. This time, he embraced a “maximalist” style, utilizing every cinematic tool – acting, camera work, music – to immerse the audience in the character’s turmoil. The goal was to translate the underlying tension directly onto the screen.
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Farrell’s commitment was total. The crew, it’s said, would “snap to attention” whenever he stepped onto the set, not out of deference, but from a desire to match his level of dedication. It wasn’t about fear or respect, but about witnessing artistry and wanting to contribute equally.
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His preparation wasn’t about meticulous research, but a deep emotional dive into the script. He spoke of visualizing the character, stripping away his own identity until only the role remained. “You read a script objectively, then more and more, and you become a subject to it,” he explained, outlining his ideal process.
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The film, an adaptation of Lawrence Osborne’s novel, found Farrell connecting with the screenplay immediately, choosing not to read the source material. He felt the script already held everything he needed, and didn’t want to “shake the apple cart.” The director echoed this sentiment, emphasizing the value of a strong foundation. “A book is always a great basis,” he said, “someone has already done the intellectual work, and we can build from there.”
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Filming on location in Macau’s opulent hotels and casinos added another layer of authenticity. However, access came with a peculiar condition: the crew could be ousted at any moment if a high-roller wanted to book the same suite. “They’re free if you lose millions,” Farrell quipped, highlighting the unpredictable nature of the shoot.
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One particularly striking scene involved Farrell’s character indulging in a lavish, and ultimately unsettling, feast of lobster and chocolate cake. The actor admits to skipping breakfast that day, consuming an astonishing number of calories by lunchtime. The scene unexpectedly inspired a creative decision from the director.
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He discovered Farrell was listening to Bach organ music on headphones while preparing, fully immersing himself in the character’s mindset. The music ultimately became part of the scene, a testament to the collaborative energy on set. “It just goes to show we were utterly in tune,” the director remarked.
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Despite the character’s flaws – his deceitfulness, his untruthfulness – Farrell found a strange empathy for him. He saw a “virtue” in his lost state, a tragic quality that resonated deeply. “The fact that he is as lost and as pathetic as he is, I found quite moving,” he shared. “I found both appalling and attractive the misguided way of being, because I knew it gave ample opportunity for a certain amount of growth.”
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*Ballad of a Small Player* is a film that demands to be experienced, a wild and unexpected journey into the heart of a man on the edge.
