The opulent world ofThe White Lotusis poised for a dramatic relocation. Whispers have solidified into reports: the show’s fourth season will unfold against the breathtaking backdrop of France, splitting its narrative between the glamorous streets of Paris and the sun-drenched allure of the French Riviera.
Following a captivating, yet turbulent, stay in Thailand for season three, creator Mike White signaled a desire to shift the show’s aesthetic. He hinted at moving beyond the “crashing waves on rocks” imagery that defined previous locations, seeking a distinctly different atmosphere for the next installment.
Paris, a city synonymous with luxury and intrigue, is already on HBO’s radar. Scouts are meticulously examining iconic five-star hotels like Le Lutetia and the legendary Ritz Paris, envisioning them as potential stages for the unfolding drama.
The south of France promises equally lavish settings. Monaco, renowned as a playground for the world’s wealthiest, alongside the vibrant cities of Nice and Cannes, are strong contenders to feature prominently in the season’s storyline.
This move marks a departure from the show’s previous partnership with the Four Seasons hotel chain, which provided the settings for the first three seasons in Hawaii, Sicily, and Thailand. While Four Seasons maintains a presence in France, the partnership hasn’t been renewed, prompting a wider search for suitable locations.
Despite critical reception to season three being somewhat mixed, the show’s popularity remains undeniable. It garnered ten Primetime Emmy Award nominations, recognizing the performances of its stellar cast, including Aimee Lou Wood, Walton Goggins, and Parker Posey.
However, the series only secured one Primetime Emmy, a win for Outstanding Original Main Title Theme Music. This victory was bittersweet, as composer Cristobal Tapia de Veer subsequently announced his departure from the show due to creative differences with Mike White.
Looking ahead, White has expressed a wistful hope to reunite with Sydney Sweeney, who captivated audiences as Olivia Mossbacher in the show’s inaugural season. However, he acknowledged the financial realities, suggesting her current market value might make a return improbable.
Production isn’t expected to begin until next year, allowing ample time to finalize locations and craft a compelling narrative. The anticipation is building for a season that promises to deliver the signature blend of dark humor, social commentary, and shocking twists that have become synonymous withThe White Lotus.
