NEXT MR BATES REVEALED: Prepare to Be Outraged!

NEXT MR BATES REVEALED: Prepare to Be Outraged!

A quiet outrage is building, a simmering fury directed at the very companies entrusted with a vital resource. “Dirty Business” isn’t just a documentary; it’s a stark exposure of a scandal unfolding in England’s rivers and along its beaches – a systematic pollution driven by profit, and a shocking lack of accountability.

The scale is almost incomprehensible: an average of over 1,600 raw sewage discharges *daily*. Campaigners fear the true number for 2024 could reach a staggering one million. While these figures are alarming, the story goes deeper, revealing a complex web of financial maneuvering and regulatory failure.

For years, water companies have been prioritizing shareholder payouts – over £1 billion distributed between 2023 and 2024 alone – even as essential infrastructure crumbled. This isn’t simply negligence; it’s a deliberate pattern of neglect, fueled by a system that incentivizes short-term gains over long-term sustainability.

Julie Preen (Posy Sterling) and Mark Preen (Tom McKay) sit in an inquest in Dirty Business.

The roots of this crisis trace back to the privatization of the water industry under Margaret Thatcher. Since then, much of it has fallen into the hands of private investment firms, including overseas entities like the Australian bank Macquarie, which owns Thames Water. These companies aren’t focused on providing a public service; they’re treated as financial instruments, endlessly bought and sold, stripped of value.

At the heart of this unfolding drama are two ordinary citizens, Peter Hammond and Ashley Smith, retirees who took it upon themselves to investigate the dying fish in their local river. Their decade-long campaign to expose the truth, and the Environment Agency’s inaction, forms the compelling core of the series.

Their relentless pursuit of answers uncovered a disturbing pattern of deregulation and corporate malfeasance. They effectively became the regulators the country desperately needed, a testament to the power of citizen action in the face of systemic failure.

Mandatory Credit: James Veysey/Shutterstock for Channel 4 Mandatory Credit: Photo by James Veysey/Shutterstock for Channel Four (16676360ap) Director Joseph Bullman speaks at the Fountain of Filth by Channel 4's 4Creative, promoting new factual drama Dirty Business. Fountain of Filth, London, UK - 23 Feb 2026 Channel 4's 4Creative exposes 'The Sick Truth Behind Britain's Sewage Scandal' with bold new fountain installation. To Promote Dirty Business, Channel 4's new factual drama, the broadcaster's inhouse agency 4Creative has partnered with Glue Society and Biscuit Filmworks to create The Fountain of Filth, an unmissable fountain installation on London's South Bank. Located at Observation Point from 23-25 February to coincide with the show's run, the 10-metre-wide fountain will be open to the public and has been designed to draw attention to the heartbreaking human cost of Britain's sewage scandal - a key theme of the new series.

The story takes a deeply personal and heartbreaking turn with the case of Heather Preen, an eight-year-old girl who tragically died from E. coli poisoning after playing on a contaminated beach in 1999. Her story serves as a chilling reminder of the human cost of this environmental disaster.

The meticulous research behind “Dirty Business” is evident in every frame. The filmmakers spent two years compiling documentation, navigating a complex legal landscape, and ensuring every claim was rigorously verified. The result is a powerful and irrefutable indictment of a broken system.

The director believes this scandal could become one of the largest corporate crimes in history. The damage inflicted on the environment is immense, and the consequences for those exposed to contaminated water can be devastating and lifelong. This isn’t just an environmental issue; it’s a public health crisis.

Pictured (L-R): Peter (Jason Watkins) and Ash (David Thewlis)

The response from viewers has been one of overwhelming anger and disbelief. This isn’t a distant tragedy; it’s a reality that resonates with people’s everyday lives. They see the polluted rivers, visit the contaminated beaches, and suffer the consequences. “Dirty Business” has tapped into a deep well of public frustration and a demand for change.

This isn’t a story about abstract policy or corporate greed; it’s about the water we drink, the places we recreate, and the health of our communities. It’s a call for accountability, a demand for justice, and a warning that the cost of inaction is simply too high.