Thirty-five years after captivating audiences worldwide, the fairytale of Vivian and Edward might be getting a second chapter. Whispers are growing louder about a potential sequel to the beloved romantic comedy,Pretty Woman, igniting a flurry of excitement and a touch of skepticism.
The original, a cinematic phenomenon released in 1990, starred Julia Roberts and Richard Gere in a story that resonated with millions, earning a staggering $463.4 million globally. It followed the unlikely connection between a Hollywood escort and a powerful businessman, a relationship forged amidst stark contrasts and societal expectations.
The spark for renewed interest initially came from strikingly realistic AI-generated posters circulating online, hinting at a “second chance” for the iconic couple. While those images proved to be the work of an enthusiastic fan, they fueled a desire for more of this unforgettable story.
Now, sources suggest that Roberts and Gere are actively engaged in discussions with Disney executives about reprising their roles. Though no contracts are signed, an early script is reportedly in development, and both stars are leaning towards revisiting their characters.
However, the prospect isn’t universally celebrated. Many fans have voiced concerns, questioning whether a sequel could ever live up to the magic of the original, fearing a beloved classic might be tarnished. The sentiment echoes a protective instinct towards a film deeply ingrained in pop culture.
Roberts herself has previously expressed doubts about the film’s viability in a modern context, acknowledging the potential for scrutiny of its themes. She once noted that the story, while cherished, wasn’t necessarily a testament to talent, but rather to fortunate timing and seizing opportunity.
Gere, too, has been candid about his complex feelings towards the film. He famously described it as his “least favorite thing,” admitting to having largely forgotten the experience. He later expressed discomfort with the power dynamics depicted, acknowledging a shift in societal perspectives.
Yet, even Gere couldn’t deny the film’s enduring appeal, playfully acknowledging a steamy scene at a recent film festival and joking about a lack of on-screen chemistry with Roberts. He also admitted his character felt “criminally underwritten,” a man defined more by appearance than depth.
Interestingly, Gere wasn’t the first choice for the role of Edward Lewis. The part was initially considered for acting legends like Sean Connery, Al Pacino, and Burt Reynolds, each with their own reasons for declining the opportunity.
As for the potential storyline, Roberts has offered a glimpse into her vision: Edward, having passed away peacefully, and Vivian now at the helm of his business. It’s a poignant image, suggesting a continuation of their love story through legacy and empowerment.
The possibility of aPretty Womansequel remains a delicate balance between nostalgia and reinvention. Whether it will recapture the original’s charm or risk diminishing its legacy remains to be seen, but the conversation itself proves the enduring power of this timeless tale.
